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The End of Milkman?

Just like the rest of the characters we've met this year, Milkman, our protagonist, is a conflicting one. On one hand, his entire personality throughout the novel seems to be one of an adolescent in an adult's body, characterized by his immaturity and brattiness. Yet as the story progresses, the metaphor of a bird learning to fly seems to clarify, and we end with the baby bird leaping and finally flying. After learning about his family history, the change in Milkman is astounding, as he is able to let go of all his curiosity, trauma, and truly understand the implications behind his ancestry. Since this novel focuses on the lives of African Americans, I wonder how Morrison intends for us to interpret the ending of the novel. Initially, I thought the friendship between Guitar and Milkman was a subtle way of criticizing Milkman, of his lack of interest in black rights and equality. But the ending of the novel has proved otherwise. If anything, Morrison states that the power of kno...
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Rochester

I found the panel presentation on ecofeminism extremely interesting. I never realized the obvious parallels between Rochester's attitudes towards women and the island. Hearing the discussion, I could definitely see how closely the two are intertwined. Moments in which Rochester would criticize Antoinette, a criticism towards the island would also occur shortly after. The fact that the two are so closely intertwined is because they are both foreign and strange to them. The island's culture and people shock Rochester and even disgust him at times, just as Antoinette shocks and disgusts him at times. This eurocentric view that Rochester has of Antoinette and the island were extremely prevalent during the time period, and his obvious desire to dominate them both disturbs me even more.

Mersault

The Stranger is my absolute favorite novel we've read. Not because of the character, but because of the way it makes you question everything you know. Mersault isn't normal. He doesn't seem to feel any emotions at all, and it disturbs me as I read about things from his perspective. But in class, the question that came up was whether his neutrality on certain things along with his lack of interest in social norms made him a bad person. It caused me to think, why is it that humans are expected to react in a certain way? Is it because we're raised with these expectations on how to react to certain situations publicly, or is it because we genuinely feel these emotions and our reactions are organic products? Mersault doesn't defend the bad, nor does he defend the good. He is simply detached from the situation, and chooses to be neutral as possible. It's really fascinating reading things from his perspective, because you genuinely can't tell whether he has emotion...

20th century men

I've noticed in most of the stories we've read, the male characters are much more complex and "flawed" than a typical 19th century male character. From many of the books I've read, the descriptions of males are often emphasizing their handsome looks, talents, and strengths, whereas amongst the three novels we've read so far, the male characters all have these issues. Septimus and Peter in Mrs. Dalloway are flawed in the sense they are outcasts of society, with one being a shell-shocked war veteran who is slowly becoming mad, and another who was kicked out of Cambridge and is a reckless boy at heart. In Hemingway's The Sun Also Rises, we see Jake, an emasculated war veteran who internalizes his feelings towards the woman he can never be with, and possibly harbors homophobic and racist sentiments. And while we are discussing Metamorphosis currently, Gregor is a seemingly kind-hearted, and yet incredibly naive man who blindly works hard under a family who cru...

Romanticized Jake

I sometimes feel I might be one of the few who actually don't hate Jake. While the character of Jake is undoubtedly racist and homophobic, I can't help but feel sympathy for him. I haven't been able to pinpoint whether Hemingway intended for us to feel this way towards the protagonist, but there's something raw and heartbreaking hearing Jake's narration. He doesn't let us wonder around his memories and feelings as openly as Clarissa Dalloway, forcing us to explicate from the concise dialogue we often receive. From what I've observed, he is an extremely human character with incredible depth. Hemingway doesn't hide the flaws and imperfections of Jake, but that's exactly what makes him appealing to me. The fact that he doesn't bother to censor himself makes him seem more real to me, and evokes more sympathy from me in comparison to character such as Septimus who is less real. The fact that Jake loves Brett, but is emasculated due to his war injury, ...

The Mind of Septimus

During one of our discussions, one of the most interesting topics we discussed was the intricacy of Septimus's mind. Woolf's depiction of shell shock is one of the most powerful things in the novel, as rather than describing the physical/outward symptoms, she decides to plunge right into the mind of Septimus, forcing the reader to literally place themselves in his shoes. What we've observed is that Septimus has a rationale, and can find order within the world, but is unable to feel. As a result, he decides to blame the world. This paradox of not being able to respond emotionally but also being hyperaware of the fact that he can't feel anything, and being anxious is such a complex, but also powerful detail Woolf highlights. While the mind of Septimus is functioning logically, it is his inability to feel that leads to his bouts of anxiety, depression, and hallucinations. The lack of emotions that humans require to be human is what makes him seem "mad" to the wor...

Conflicting Clarissa

In the initial stages of the story, I wasn't quite sure as to how I would get a good grasp of Clarissa Dalloway, since this narrator is so unique. The narrator doesn't remain with Clarissa, and has already established its ability to travel within the deep minds of multiple characters. From what we saw of Clarissa in the beginning, all I could really grasp was her bird-like qualities, and the fact that she had been sick for a while. Yet while reading last night's chapter on her encounter with Peter, it really pulled together a stronger image of her, and I could finally see at how Woolf focuses on her as a person.  On page 40, Peter says, "Here she is mending her dress; mending her dress as usual, he thought; here she's been sitting all the time I've been in India; mending her dress; playing about; going to parties..." The narrator is clearly revealing Peter's true thoughts on Clarissa in that moment. Yet I can't help but disagree with Peter. Clar...